A little one today because, funnily enough, many people have been a bit too busy to blog much this week, and most of the best blog posts I’ve read have been of the ‘summing up the year’ variety that are only worth reading if you follow that blog regularly.

Over at Last Short Story, we’ve been posting our lists of best short stories for 2011. You can read about the opinions of Sarah, Mondy, me, Alisa and Alex.

Sarah Rees Brennan has written a marvellous, loving parody of Jane Eyre, Or: The Bride of Edward ‘Crazypants’ Rochester and it turns out that she loves Press Gang, too! I knew our tastes were eternally intertwined. I’m so looking forward to both of Sarah’s new novels, to be released this year.

On a more serious note, Alisa wrote about her response to the Lovecraft-representing-World-Fantasy discussion, as a Jewish woman who recently won a World Fantasy Award and only learned about Lovecraft’s racism and anti-semitism recently.

UPDATE: Excellent, crunchy post about the awards system by the ever-sharp Ursula K Le Guin.

And yes, that’s basically it. Onwards to 2012! May there be linking frenzies, flamewars and feminist rage, as well as adorable music vids. That is what the internet is for, after all.

I was working at the university this morning, so only able to sneak the occasional peek at my Twitter feed as the World Fantasy Awards tweets started up, and I almost caused a Serious Disruption to some poor chap’s exam when I discovered that our Alisa had picked up her first World Fantasy Award, this time for Special Award Non-Professional.  Some day, when she manages to pay herself for all the work she does to publish and promote Australian speculative fiction, I know she’ll be up for a matching Professional award too!

I’m so very proud to be a Twelfth Planet author.

My, but the trophy is on the dour side.  Does anyone want to volunteer to knit a jaunty beret or bonnet or something for hers, to cheer him up a bit?

The whole list of winners can be found here.

Congratulations to all the winners – I am absolutely squeeful about the magnificent Who Fears Death by Nnedi Okorafor winning best novel, but all the winners were worthy, and I hope very much that all the finalists are just as proud of themselves and their achievements.  It was a great shortlist this year.

Thanks to Cat Sparks who pointed me in the direction of the following vid.  You can see Alisa’s award at about the 35 minute mark.  It’s just a shame that the microphone discriminated against short people! But knowing Alisa, she was probably quite happy to be mostly hidden behind the podium.  I hope she had a great celebratory evening afterwards, and a good night’s sleep.  We’ll be interrogating her about her experience on the next episode of Galactic Suburbia!

Jem demands extra Amy Pond content in all of Mummy's blog posts

Meanwhile, Narrelle M Harris, self-reprinter, discusses that other kind of indie press, and whether self-publishing is actually all about vanity.

Jason Nahrung has been on fire lately with some brilliant posts about our changing industry, and I particularly liked this one: Putting the eeeeee in e-books.

Meanwhile the Stella Prize for women was officially launched. Is it too much to hope that a spec fic writer wins it in the early years? Alisa, get publishing!

Aliette de Bodard wrote a marvellous rant which examines the way that US storytelling tropes are so ingrained in global culture that they basically dictate what is considered good and bad writing. I think this is a very important topic and one that bears further discussion.

Ellen Datlow is angry about the portrayal of older women in fiction, and challenged writers to do better.

Juliet McKenna has a challenge of her own, for us all to promote equality in genre writing and reviewing. Kudos to SFX for publishing this piece which criticises their own practices as well as those of the industry as a whole.

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My plan was for today’s Friday links to be all about the SF gateway, but in breaking news, the World Fantasy nominations were released, and I’m SO EXCITED that Alisa Krasnostein has her first nomination! It’s for Best Non-Professional Achievement (some day she will be able to start paying herself and it will be Best Professional!) and I love that it is for Twelfth Planet Press rather than all the volunteer work she does in the community for projects like ASif & Swancon – much though I appreciate her work in that area, TPP is her future and for it to be the reason she has her first WF nomination is fabulous.

Congrats to all the nominees – I’m particularly delighted by the diverse and exciting novel shortlist, but also crowing over Rachel Swirsky’s novella “The Lady Who Plucked Red Flowers beneath the Queen’s Window,” Jonathan Strahan’s anthology “Swords and Dark Magic,” and Angela Slatter’s exceptional collection, Sourdough and Other Stories. Also, extra congrats to Charles A Tan & Lavie Tidhar for their nods in the same category as Alisa, for Bibliophile Stalker and the World SF blog respectively.

But now, links!

I haven’t spotted quite as much analysis as I had expected about the significance of the SF Gateway, but here are some key posts from the last week or so:

The Announcement
Nicola Griffith on being one of the Gateway authors.
Cheryl Morgan on The Gateway Opens
io9 presents a vid of authors talking about their favourite out-of-print SF classics
Over at the Coode Street Podcast, Jonathan & Gary interview John Clute about the SF Encyclopedia, and how it ties into the SF Gateway project.

And now some more random linkage:

Chris Alpha of The Ood Cast has been writing a season by season recap of Doctor Who, in haiku. Oh yes, he has.

Apologies for the LJ links at this time of great LJ unreliability, but these ones are worth it. Michelle Sagara talks about how to be a good panellist at a convention, and what not to do.

Catherynne Valente is delighted by the sheer writerfantasy of Woody Allen’s Midnight in Paris.

Cheryl Morgan is republishing Linda Nagata’s SF novels as e-books.

Diana Peterfreund blogs about choosing surnames for your fictional characters.

Mary Robinette Kowal continues her interesting blog series on the writerly/practical use of Google Plus: in this case, how to teach a class using Google Hangouts.

This one is small but elegant – which is unsurprising as it’s my second links post this week!

N.K. Jemisin wrote a very cool post about women’s roles in fantasy and the problematic nature of judging the strength and value of female characters by masculine standards – the conversation in the comments is interesting, as so many people jump in to talk about domestic skills and values in fantasy, and why giving a woman a sword isn’t the only way to make her a “strong” character.

Also, I’m on the fence about Google+ and expect to continue so until too many friends of mine are in there for me to ignore it any longer (was I not right about Google Buzz? Thankyew and goodnight) but this post by Mary Robinette Kowal about constructing writing dates & writer gatherings in Google+ makes me think I’m going to have to get my arse in there before this year’s Nanowrimo.

Meanwhile, over at Twelfth Planet Press, Alisa has revealed the gorgeous cover of the new Twelve Planets collection by Lucy Sussex, and info to tantalise you about this book from one of Australia’s veteran science fiction & fantasy writers. Alisa also revealed the titles this week of the next season of TPs, by Deborah Biancotti, Narrelle Harris and Kaaron Warren… and what titles they are!

But you know, when it comes down to it, the most awesome thing about this week was Noni Hazlehurst reading modern classic picture book, Go The Fuck to Sleep. Text Publishing hit on a genius method of publicising the fact that they are the Australian publishers of this instant classic for exhausted parents everywhere. Noni is a goddess as well as a national icon, and her performance of the book, including traditional Play School commentary & asides to the viewer, and a deeply authentic ‘going downhill rapidly’ emotional journey, is note-perfect.

The glee on Twitter as Noni’s reading was announced (you can keep your Samuel L Jackson, Americans!), the outrage as YouTube canned the video for offensive conduct (you know where you can go, YouTube…) and the joy as the video was re-released on other platforms… honestly, this is the most patriotic joy I think most Aussies have felt in years.

Go the Fuck to Sleep – read by Noni Hazlehurst from sswam on Vimeo.

I skipped my Friday links post last week, because… well, you know. It was one of those days. I have so many links building up, though, I thought I’d better get one in now or I’ll end up having to produce a whole magazine by the time Friday comes around again! Also, some of my links are in danger of looking severely dated…

In other news, it is raining. Grim, vengeful rain. How else would you expect rain that holds off all day and then starts while I am EN ROUTE to pick up my daughter for school, with the baby in the back seat, so I don’t even get a head’s up that maybe today was not the day to put the baby in soft slippers? In other news, Jem has grown so much now that her feet entirely stick out of the stroller, and the plastic rain cover for said stroller. All of these facts are related.

Deb Biancotti is interviewed by Alisa at Galactic Chat!

Fabulous roundtable about (global) Women in World SF – every comment is packed with intelligent, thoughtful ideas. I am delighted such a thing exists in the world. Some important questions are asked, like – why is it so easy for urban fantasy to be excluded from any discussion on spec fic? And why is it that crime readers are so much more open to female authors than SF readers?

The roundtable was in response to this original post by Joyce Chng about women outside the English speaking world are doubly marginalised in the science fiction field.

Maureen Johnson takes on the writer of that Wall Street Journal article (podcast), on the topic of whether YA fiction is getting too dark for teenagers to be allowed to read – fabulous radio and it’s cool to see how articulate Maureen is in person. It’s irritating that the final word goes to a caller who is obviously just out to plug his own book and hasn’t actually been listening to much that has been said in the conversation, and I was disappointed Maureen didn’t get to comment on what he said, but for the most part I think her point of view came across clearly and the conversation was absolutely one worth having.

This post by Tricia Sullivan is getting a little long in the tooth now, but I think it’s absolutely worth checking out if you haven’t already. To put it and the conversation it responds to into context, it’s also worth reading these two posts by Cheryl Morgan: Here We Go, and Further Thoughts. There is some intelligent, interesting conversation in the comments of all three of these posts.

I’m still chewing over my thoughts on the upcoming DC reboot, and this is one of the best posts I’ve seen exploring some of the problematic aspects of regressing storylines, particularly when it comes to female and minority characters.

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I felt like such a jet-setter, getting on a plane yesterday morning for a single night in Sydney for the Aurealis Awards. I arrived in the early afternoon and met up with Tehani, Helen and baby Max at the airport so we could taxi in to the hotel together. It felt so decadent to hang out and chat with friends I normally don’t get to see more than once every few years – twice within a month!

We went down to the hotel restaurant for a (very) early dinner, correctly guessing it would be our last chance to eat for the night. Some familiar faces were already down there, with the same idea, and we added a table on the end of theirs – and as more and more people arrived, kept doing so, until we had at least 20 people there, and the table had turned into a long L-shape!

Then of course we all had to disappear to frock up, as the new arrivals were looking increasingly glamorous.

The Aurealis Awards were held at the Independent Theatre, a lovely venue only a few minute’s stagger (a bit longer in high heels, but I was wearing flats, hehehe) from the hotel. We met and mingled at the cocktail party (sponsored by HarperCollins), many of us marvelling at how utterly weird it was to be together again so soon after Swancon – when we’re used to an 18 month separation! Of course there were people there who hadn’t been at Swancon, too, so it was a general crowd of happy reunions, gossip and hugging. With champagne. I had lots of lovely conversations with lots of adorable people, though the highlight for me was getting to meet IN PERSON the amazing Nicola, who has edited all three of the Creature Court books with me, one way or another. To get to talk to her in person about the choices we made and how much we love each other’s work was very, very cool.

And oh, the fashions! We are a gorgeously dressed bunch. Tehani referred to it as the ‘night of necklaces,’ and there was certainly some spectacular jewellery on display. Kirstyn wins the prize, of course, for her bird skull necklace that made people go ooh, and then, erkhhhh when they looked more closely…

The theatre itself was the perfect size for an event like this – grand but cozy at the same time, if that makes sense? Tehani and I decided to start a trend by sitting in the front row, since we knew I had to go on stage at some point to present (and we knew Helen would be going up too, but more on that later!). Spec Faction deserve a huge amount of kudos for the event – it ran smoothly, with any dramas rendered pretty much invisible to the rest of us. Cat had put together a hilarious and touching montage of Aurealis Awards photographs (the overall theme was people we knew looking overheated, a bit drunk and terribly happy) which broke the ice marvellously, and there was a really good vibe in the theatre, all that community spirit stuff.

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So school is back! I’ve been lucky enough to be able to shift most of my workload to, well, now, so that the last several weeks of the summer holiday were all Mummying all the time. Now, of course, I have to go from nought to typing maniac in 60 seconds, and I’m not *entirely* sure I remember how to do it. Stay tuned!

In the meantime, here is a delicious mix of tidbits from the internet over the last week or so and some great things I’ve been listening to while catching up on the housework, supervising trampoline time, and sewing an Alice in Wonderland wallhanging.

Ben Peek wrote a post which completely blindsided me, about an author who embodies perseverance, “the one who to me sucked up the bad times and pushed through them, and the one who should stand as an example for new authors…“ The twist is, it’s me!

N.K. Jemisin writes about gender assumptions/associations surrounding epic fantasy, and why anything that deviates from the masculine norms of the genre are seen as suspect. There are some brilliant, intelligent comments about gender, romance and the male gaze. Lovely stuff.

Alisa posts about Twelfth Planet Press award eligibilities for the coming awards season. Have you nominated for the stuff you can nominate for yet? Don’t forget that all of us who were at Aussiecon can nominate for the Hugos this year. Would be lovely to have some Aussie names on that ballot.

This amazing, powerful post by Juliet Jacques about being a trans woman and a football fan really affected me, to the point where I read through her whole year’s worth of columns about transition. I can really recommend these for anyone looking to educate and inform themselves about some of the issues affecting people trying to transition. I found it a real eye opener, and she’s an entertaining and funny writer with it. Plus, football fan!

Jim Hines had some pointed things to say about the ‘self publishing ebooks is totally the way to make a career sing like a canary’ people and the way that ‘ebooks are the future’ so often gets turned into a bashing of commercial publishers and their methods.

So that’s the links done. Now for the listening…

The latest Salon Futura podcast has a great round table discussion about small press publishing featuring our own Alisa Krasnostein (plus Sean Wallace and L. Timmel Duchamp) – those of you mourning the lack of a Galactic Suburbia episode this week (sorry, we’ll be back with all guns blazing next week!) may like to check it out. There’s also a cool interview with Ann VanderMeer about her editorship of Weird Tales which was great to hear, especially the bit where they both start talking about Peter M Ball and unicorns.

My Big Finish obsession has been continuing apace. I have been relistening to all my Ace and Hex plays, and really enjoying the first two seasons of the 8th Doctor and Lucie Miller, which were designed to fit the tone of New Who a bit more firmly than the monthly series. They’re fast paced, funny and character-crunchy 50 minute episodes, with some fantastic casting. The whole first season is great, though the quirky Horror of Glam Rock (featuring Bernard Cribbins before he joined RTD’s Who crew) by Paul Magrs is a stand out, as is the exceptional two part finale, Human Resources.

I’m currently on the finale of the second season, which features a return of the Sisterhood of Karn and (quite possibly) Morbius, though I haven’t yet heard him with my own ears. The standouts for this season were Max Warp, a quite stunningly outrageous Top Gear parody with spaceships and Graeme Garden, and the comedy-romance-tragedy of The Zygon Who Fell To Earth (featuring Tim Brooke Taylor and Steven Pacey), but I also really loved the creative anachronisms of Dead London and the splendid historical heist story Grand Theft Cosmos. The return of the Headhunter, who is officially my favourite female villain of Doctor Who’s history, was a cause for much glee.

Elsewhere, I also discovered the Big Finish Comedy Podcast, which was released fairly recently as a limited series of 5 minute episodes to promote the Mervyn Stone mystery novels by Nev Fountain, which revolve around a script editor of a defunct cult sci-fi show of the late 80′s, who also solves crimes. The podcast is a great introduction to the character and his world, and over the course of about half an hour of bite sized, highly entertaining interviews (the conceit is that this is a DVD extra for “Vixens from the Void”) presents and solves the mystery of who killed the actor who played the quirky translator robot Babel J. It’s very funny, featuring among other things the note-perfect tones of Nicola Bryant, and absolutely free.

There is more, I expect, but I’m sleepy, and it’s school tomorrow!