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Tansy Rayner Roberts

Posts Tagged ‘alisa krasnostein’

unexpected tuesday links!

Tuesday, July 12th, 2011

I skipped my Friday links post last week, because… well, you know. It was one of those days. I have so many links building up, though, I thought I’d better get one in now or I’ll end up having to produce a whole magazine by the time Friday comes around again! Also, some of my links are in danger of looking severely dated…

In other news, it is raining. Grim, vengeful rain. How else would you expect rain that holds off all day and then starts while I am EN ROUTE to pick up my daughter for school, with the baby in the back seat, so I don’t even get a head’s up that maybe today was not the day to put the baby in soft slippers? In other news, Jem has grown so much now that her feet entirely stick out of the stroller, and the plastic rain cover for said stroller. All of these facts are related.

Deb Biancotti is interviewed by Alisa at Galactic Chat!

Fabulous roundtable about (global) Women in World SF
– every comment is packed with intelligent, thoughtful ideas. I am delighted such a thing exists in the world. Some important questions are asked, like – why is it so easy for urban fantasy to be excluded from any discussion on spec fic? And why is it that crime readers are so much more open to female authors than SF readers?

The roundtable was in response to this original post by Joyce Chng about women outside the English speaking world are doubly marginalised in the science fiction field.

Maureen Johnson takes on the writer of that Wall Street Journal article (podcast), on the topic of whether YA fiction is getting too dark for teenagers to be allowed to read – fabulous radio and it’s cool to see how articulate Maureen is in person. It’s irritating that the final word goes to a caller who is obviously just out to plug his own book and hasn’t actually been listening to much that has been said in the conversation, and I was disappointed Maureen didn’t get to comment on what he said, but for the most part I think her point of view came across clearly and the conversation was absolutely one worth having.

This post by Tricia Sullivan is getting a little long in the tooth now, but I think it’s absolutely worth checking out if you haven’t already. To put it and the conversation it responds to into context, it’s also worth reading these two posts by Cheryl Morgan: Here We Go, and Further Thoughts. There is some intelligent, interesting conversation in the comments of all three of these posts.

I’m still chewing over my thoughts on the upcoming DC reboot, and this is one of the best posts I’ve seen exploring some of the problematic aspects of regressing storylines, particularly when it comes to female and minority characters.

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Night of Necklaces, Day of Ferries

Monday, May 23rd, 2011

I felt like such a jet-setter, getting on a plane yesterday morning for a single night in Sydney for the Aurealis Awards. I arrived in the early afternoon and met up with Tehani, Helen and baby Max at the airport so we could taxi in to the hotel together. It felt so decadent to hang out and chat with friends I normally don’t get to see more than once every few years – twice within a month!

We went down to the hotel restaurant for a (very) early dinner, correctly guessing it would be our last chance to eat for the night. Some familiar faces were already down there, with the same idea, and we added a table on the end of theirs – and as more and more people arrived, kept doing so, until we had at least 20 people there, and the table had turned into a long L-shape!

Then of course we all had to disappear to frock up, as the new arrivals were looking increasingly glamorous.

The Aurealis Awards were held at the Independent Theatre, a lovely venue only a few minute’s stagger (a bit longer in high heels, but I was wearing flats, hehehe) from the hotel. We met and mingled at the cocktail party (sponsored by HarperCollins), many of us marvelling at how utterly weird it was to be together again so soon after Swancon – when we’re used to an 18 month separation! Of course there were people there who hadn’t been at Swancon, too, so it was a general crowd of happy reunions, gossip and hugging. With champagne. I had lots of lovely conversations with lots of adorable people, though the highlight for me was getting to meet IN PERSON the amazing Nicola, who has edited all three of the Creature Court books with me, one way or another. To get to talk to her in person about the choices we made and how much we love each other’s work was very, very cool.

And oh, the fashions! We are a gorgeously dressed bunch. Tehani referred to it as the ‘night of necklaces,’ and there was certainly some spectacular jewellery on display. Kirstyn wins the prize, of course, for her bird skull necklace that made people go ooh, and then, erkhhhh when they looked more closely…

The theatre itself was the perfect size for an event like this – grand but cozy at the same time, if that makes sense? Tehani and I decided to start a trend by sitting in the front row, since we knew I had to go on stage at some point to present (and we knew Helen would be going up too, but more on that later!). Spec Faction deserve a huge amount of kudos for the event – it ran smoothly, with any dramas rendered pretty much invisible to the rest of us. Cat had put together a hilarious and touching montage of Aurealis Awards photographs (the overall theme was people we knew looking overheated, a bit drunk and terribly happy) which broke the ice marvellously, and there was a really good vibe in the theatre, all that community spirit stuff.

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Good Listening and a Souffle of Links

Wednesday, February 16th, 2011

So school is back! I’ve been lucky enough to be able to shift most of my workload to, well, now, so that the last several weeks of the summer holiday were all Mummying all the time. Now, of course, I have to go from nought to typing maniac in 60 seconds, and I’m not *entirely* sure I remember how to do it. Stay tuned!

In the meantime, here is a delicious mix of tidbits from the internet over the last week or so and some great things I’ve been listening to while catching up on the housework, supervising trampoline time, and sewing an Alice in Wonderland wallhanging.

Ben Peek wrote a post which completely blindsided me, about an author who embodies perseverance, the one who to me sucked up the bad times and pushed through them, and the one who should stand as an example for new authors… The twist is, it’s me!

N.K. Jemisin writes about gender assumptions/associations surrounding epic fantasy, and why anything that deviates from the masculine norms of the genre are seen as suspect. There are some brilliant, intelligent comments about gender, romance and the male gaze. Lovely stuff.

Alisa posts about Twelfth Planet Press award eligibilities for the coming awards season. Have you nominated for the stuff you can nominate for yet? Don’t forget that all of us who were at Aussiecon can nominate for the Hugos this year. Would be lovely to have some Aussie names on that ballot.

This amazing, powerful post by Juliet Jacques
about being a trans woman and a football fan really affected me, to the point where I read through her whole year’s worth of columns about transition. I can really recommend these for anyone looking to educate and inform themselves about some of the issues affecting people trying to transition. I found it a real eye opener, and she’s an entertaining and funny writer with it. Plus, football fan!

Jim Hines had some pointed things to say about the ‘self publishing ebooks is totally the way to make a career sing like a canary’ people and the way that ‘ebooks are the future’ so often gets turned into a bashing of commercial publishers and their methods.

So that’s the links done. Now for the listening…

The latest Salon Futura podcast has a great round table discussion about small press publishing featuring our own Alisa Krasnostein (plus Sean Wallace and L. Timmel Duchamp) – those of you mourning the lack of a Galactic Suburbia episode this week (sorry, we’ll be back with all guns blazing next week!) may like to check it out. There’s also a cool interview with Ann VanderMeer about her editorship of Weird Tales which was great to hear, especially the bit where they both start talking about Peter M Ball and unicorns.

My Big Finish obsession has been continuing apace. I have been relistening to all my Ace and Hex plays, and really enjoying the first two seasons of the 8th Doctor and Lucie Miller, which were designed to fit the tone of New Who a bit more firmly than the monthly series. They’re fast paced, funny and character-crunchy 50 minute episodes, with some fantastic casting. The whole first season is great, though the quirky Horror of Glam Rock (featuring Bernard Cribbins before he joined RTD’s Who crew) by Paul Magrs is a stand out, as is the exceptional two part finale, Human Resources.

I’m currently on the finale of the second season, which features a return of the Sisterhood of Karn and (quite possibly) Morbius, though I haven’t yet heard him with my own ears. The standouts for this season were Max Warp, a quite stunningly outrageous Top Gear parody with spaceships and Graeme Garden, and the comedy-romance-tragedy of The Zygon Who Fell To Earth (featuring Tim Brooke Taylor and Steven Pacey), but I also really loved the creative anachronisms of Dead London and the splendid historical heist story Grand Theft Cosmos. The return of the Headhunter, who is officially my favourite female villain of Doctor Who’s history, was a cause for much glee.

Elsewhere, I also discovered the Big Finish Comedy Podcast, which was released fairly recently as a limited series of 5 minute episodes to promote the Mervyn Stone mystery novels by Nev Fountain, which revolve around a script editor of a defunct cult sci-fi show of the late 80′s, who also solves crimes. The podcast is a great introduction to the character and his world, and over the course of about half an hour of bite sized, highly entertaining interviews (the conceit is that this is a DVD extra for “Vixens from the Void”) presents and solves the mystery of who killed the actor who played the quirky translator robot Babel J. It’s very funny, featuring among other things the note-perfect tones of Nicola Bryant, and absolutely free.

There is more, I expect, but I’m sleepy, and it’s school tomorrow!

Announcement: The Twelve Planets

Friday, January 21st, 2011

12PPpink
Who Are the Twelve Planets?

Margo Lanagan, Lucy Sussex, Rosaleen Love, Tansy Rayner Roberts, Deborah Biancotti, Kaaron Warren, Cat Sparks, Sue Isle, Kirstyn McDermott, Narrelle M Harris, Thoraiya Dyer, Stephanie Campisi.

What Are the Twelve Planets?

The Twelve Planets are twelve boutique collections by some of Australia’s finest short story writers. Varied across genre and style, each collection will offer four short stories and a unique glimpse into worlds fashioned by some of our favourite storytellers. Each author has taken the brief of 4 stories and up to 40 000 words in their own direction. Some are quartet suites of linked stories. Others are tasters of the range and style of the writer. Each release will bring something unexpected to our subscriber’s mailboxes.

When Are the Twelve Planets?

The Twelve Planets will spread over 2011 and 2012, with six books released between February and November each year.
The first three titles will be Nightsiders by Sue Isle (March), Love and Romanpunk by Tansy Rayner Roberts (May) and the third collection will be by Lucy Sussex (July).

How to Receive the Twelve Planets

The Twelve Planets will be available for purchase in several ways:

Single collections will be priced at $20/$23 International each including postage.
A season’s pass will offer the three collections of the season for $50/$65 International including postage and each sent out on release.
Full subscriptions to the series are $180/$215 International including postage and each sent out on release.

More information relating to upgrades, ebooks and distribution will be made available in due course.

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Tansy’s Note: I’ve discussed my collection on Galactic Suburbia before, but not on this blog. I didn’t like to say anything until it was formally announced! But I’m supremely excited to be among such marvellous company in my fellow authors, as well as being very proud of Love and Romanpunk itself – the book that thumbs its nose at my PhD in Classics. It’s a linked suite of four stories set in what I like to call the Agrippinaverse – and to know why I call it that, you’re just going to have to read the book!

Galactic Suburbia Episode 24 show notes

Thursday, January 20th, 2011

There’s a new episode up! Grab it from iTunes, by direct download or stream it on the site.

EPISODE 24

In which we flit over the first shortlist of the year and some charitable links, sweep though a fortnight of culture consumed, and then leap with both feet into the pet subject of Inside Indie Press.

News

BSFA Awards Shortlists

http://vectoreditors.wordpress.com/2011/01/17/2010-bsfa-awards-shortlists-2/

QLD Flood fundraisers for writers & readers:
After the Rain: http://bit.ly/AtRFloods
Authors for Queensland auction http://authorsforqueensland.wordpress.com
QWC appeal launches Saturday, on Twitter at @writersonrafts

What Culture Have we Consumed?
Tansy: no books for me, shockingly! More Big Finish audio plays. (http://tansyrr.com/tansywp/no-end-in-sight-for-big-finish/

http://tansyrr.com/tansywp/science-fiction-on-the-radio/)

Alex: Agatha H and the Airship City, Phil and Kaja Foglio (http://randomalex.net/2011/01/14/smellink-verra-nize-indeed/); Transformation Space, Marianne de Pierres; Dust, Elizabeth Bear (http://randomalex.net/2011/01/18/dust-by-elizabeth-bear/); two stories from James Tiptree’s Her Smoke Rose Up Forever (spoilery discussion at http://dreamsandspeculation.com/2011/01/15/january-tiptree-discussion/); The Name of the Wind, Patrick Rothfuss (http://randomalex.net/2011/01/19/the-name-of-the-wind/). Also begun a rewatch of BSG…
Alisa: No Ordinary Family, Dexter season 5

(diversion on the subject of Whether Alisa Should Watch Doctor Who)

Pet Subject: Inside Indie Press
Big news in TPP space is the closure of Speakeasy.

Is there an obvious point at which a project becomes a non-viable project?
How do you know that you’re ditching a project just because the stories don’t fit your particular idea/viewpoint?

The older books are harder to use as examples because lots of things about them were learning.
Horn – first to break even BUT i got caught on the selling to bookstores so i ended up having to sell 80% of the print run after review and buzz copies (1/4 of the print run) to break even.

Pay scales, writing contracts, competing with the US indies…

Please send feedback to us at galacticsuburbia@gmail.com, follow us on Twitter at @galacticsuburbs, check out Galactic Suburbia Podcast on Facebook and don’t forget to leave a review on iTunes if you love us!

On Work, and Work, and the end of the Working Year

Thursday, December 2nd, 2010

So that was November, then…

I was pleased that I managed to make the month so productive, despite the urge to collapse in a heap in the wake of finally, finally, finally finishing the draft of book 3 (which it appears is most likely to be titled Reign of Beasts). Thanks to my List of Doom, I kept writing, putting together a draft of a publishing proposal for Fury to be polished up in the New Year, I started editing Blueberry again, which is going to be my summer project, I read books which had been archived on my shelves far too long, and I sewed – bookmarks for a friend’s commission, finishing the top of a baby quilt, and the beginnings of a new crazy quilt.

And you know, in the midst of all that I pushed through my copy edits for The Shattered City (Book 2), and prepared for & taught a one day course on writing fantasy novels.

One of the items on my list was to write a short story. Originally I had another plan for that, but then Alisa went and rejected two stories from a project we were doing together, which left me having to start from scratch! (In a good way. I am hugely excited now about what I’m doing, and she was totally right to kick those stories to the curb. Good enough is totally not good enough.) One of those stories is now done thanks to the List of Doom, and I have to write the other as soon as I can. I’m in a weird in-between-professional-deadlines space right now, where I don’t know where the next deadline is coming from. I will receive proofs for Book 2 and structural edits for Book 3 at SOME point, and everything will have to be dropped to do them, but I don’t know when. All the more reason to polish off my other necessary jobs ASAP, especially as I only have another fortnight or so before the school holidays hit, and there’s no such thing as a truly productive work day until late February.

But in any case, I did my not-Nano November, and while I never got up the high energy equivalent to writing 50K (as it turned out, writing about 5-6000 words as part of smaller projects was my limit) I managed to complete 34/35 items, and that last one was a crazy quilt square that I could have polished off at the last day if I’d dropped everything to do it, but I couldn’t quite bring myself to prioritise that way.

Once I get this last story done, which I have been plotting and replotting in my head so it’s just about ready to burn up the page, I am officially free of commitments, and I would love to have a little of that freedom before I get publisher deadlines again – one thing I have learned this year is that you can’t use ALL the time you have until the end of a deadline, as other things are always turning up to compete, usually in the last two weeks. I’ve always been one to start slowly and build up momentum to rip through the work at a high pace in those last couple of weeks, and so the stop-start-stop-start work pace this year has thrown me for a loop more than once.

I honestly thought I would never get to the end of Book 3. I seemed to be constantly one month from getting it done, and every time I had to stop and start again, I lost momentum and had to “waste” time scrabbling around and getting my zone back, only to be interrupted with a new urgent task as soon as I got up a decent head of steam.

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Podcastalicious

Sunday, September 12th, 2010

This week has been a frenzy of podcasting. We’ve put up a whole bunch of Galactic Suburbia episodes that we recorded during Aussiecon in Melbourne, and then this morning Jonathan Strahan called Alisa and I in to guest on his podcast as The Coode St Feminist Advisory Committee.

Check it out:

Galactic Suburbia 15.0 – “Live” at Aussiecon
Galactic Suburbia 15.1 – Ditmar Special and Girl Genius Interview
Galactic Suburbia 15.2 – Hugo Special
Galactic Suburbia 15.3 – Worldcon Wrap Up

Coode St Episode 17 – featuring Tansy & Alisa from Galactic Suburbia

And of course you can also find these by searching for Galactic Suburbia or Notes From Coode Street on iTunes.

Detritus from a Worldcon

Thursday, September 9th, 2010


[direct from the iPad: a drawing by Raeli of Alisa at the TPP dealer's table]

memorable moment: Mondy staring at Aifin after about 10 minutes intense conversation about iPad sleeves and suddenly announcing, “Hang on, are you THE PRODUCER?”

many other memorable moments: Alex, expecting to be completely anonymous at this con, being faced by various people saying “are you ALEX FROM MELBOURNE?”

drink of the convention: the purple daiquiris at the Voyager 15 party.

frocks of the convention: Alex, Alisa & Terri at the Hugos.

book of the convention: THE LITTLE PINK ONE.

You can find a video here of Tony C Smith’s live broadcast of his reaction to the Hugo awards. About 40 mins in, he finds out he won the Best Fanzine for Starship Sofa and explodes with joy. It’s also a nice little visual of what it’s like to be following award ceremonies (as I usually am) via the internet.

Blindmouse’s con report (including a well thought out response to my disastrous female superhero panel)
Random Tangent has some great, detailed reports about panels attended. My favourite of course is Day 3 which refers to my feminism in fantasy panel!
Megan with glorious enthusiasm about her first ever lit panel.
Catherynne Valente documents how it feels to lose a Hugo.
Gary Kemble has gathered some links.
Voyager on the inaugural winner of the Norma K Hemming Award (THE NORMA!!!), Maria Quinn.

Tehani’s con report.
Flinthart’s con report
Mondy on life after Worldcon.

Because Small (cough, Indie) Press is Awesome

Saturday, August 14th, 2010

Thanks to Jonathan Strahan for pointing me towards this shortlist on the Capclave blog. Being nominated for an award like this, outside my own country, is super exciting. I really do love Siren Beat, and Alisa, Dion and Amanda did such a fantastic job of producing a beautiful book for it to live in.

Also, how fantastic is it to have an award especially for stories published by small presses?

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The Washington Science Fiction Association is pleased to announce the finalists for the 2010 WSFA Small Press Award for Short Fiction (published in 2009):

“each thing i show you is a piece of my death” by Gemma Files and Stephen J. Barringer, published in Clockwork Phoenix 2, edited by Mike Allen, Norilana Books (July 2009).

“Images of Anna” by Nancy Kress, published in Fantasy Magazine, edited by Cat Rambo (September 2009).

“James and the Dark Grimoire” by Kevin Lauderdale, published in Cthulhu Unbound, edited by Thomas Brannan and John Sunseri, Permuted Press, (March 2009).

“Race to the Moon” by Kyell Gold, published in New Fables, Summer 2009, edited by Tim Susman, Sofawolf Press (July 2009).

“Sinner, Baker, Fabulist, Priest; Red Mask, Black Mask, Gentleman, Beast” by Eugie Foster, published in Interzone (January 2009) / Apex Magazine (August 2009), edited by Andy Cox (Interzone)/ Catherynne M. Valente (Apex).

“Siren Beat” by Tansy Rayner Roberts, published in Twelfth Planet Press, edited by Alisa Krasnostein (October 2009).

“The Pirate Captain’s Daughter” by Yoon Ha Lee, published in Beneath Ceaseless Skies Issue #27, 10/08/2009, edited Scott H. Andrews.

“The Very Difficult Diwali of Sub-Inspector Gurushankar Rajaram” by Jeff Soesbe, published in DayBreak Magazine, edited by Jetse de Vries (October 2009).

The award honors the efforts of small press publishers in providing a critical venue for short fiction in the area of speculative fiction. The award showcases the best original short fiction published by small presses in the previous year (2009). An unusual feature of the selection process is that all voting is done with the identity of the author (and publisher) hidden so that the final choice is based solely on the quality of the story.

The winner is chosen by the members of the Washington Science Fiction Association (www.wsfa.org) and will be presented at their annual convention, Capclave (www.capclave.org), held this year on October 22-24th in Rockville, Maryland.

Aliens in Your Science Fiction, Messing With Your Definitions

Monday, August 2nd, 2010

So there’s a new Galactic Suburbia podcast due to be recorded this week, and I have some homework left over from last time! That is:

Dear Tansy,

Howdy! Long time listener, first time emailer!

I just wanted to clarify the question from last night’s show. You said that if science fiction was to be innovative and inclusive (was that the second word you used?), it should be broad in its definition. I wanted to know if you thought that “science fiction” as defined not by the genre (ie fiction based on science etc) but rather those who have power to define the genre (eg reviewers, critics, editors, publishers and those who might see themselves as working to maintain the core) actually want and actively encourage innovation and inclusiveness? I guess I wondered if you thought science fiction, as it is currently published, really was innovative and inventive and inclusive?

Looking forward to your answer!

Alisa

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