The Hugo shortlist nominees went up on Twitter this morning, Australian time – luckily I had been woken up early by my adorable/dreadful children, so I was around to read them as they came in.

I haven’t been as excited about a Hugo shortlist in years – not just because I got to nominate and will get to vote in these particular ones, but because it does look as if there has been a bit of a demographic shift this year. There are lots of women, new writers and online publications represented across most of the categories. Many things I really liked and indeed nominated got up, which is rather nice.

Congratulations to all the nominees! Hope to see as many of you as possible at Aussiecon this September.

The shortlisted items/people I am most excited about are:
Boneshaker, Cherie Priest (Tor) [best novel nominee]
“Act One”, Nancy Kress (Asimov’s 3/09) [best novella nominee]
“Eros, Philia, Agape”, Rachel Swirsky (Tor.com 3/09) [best novelette nominee]
“The Island”, Peter Watts (The New Space Opera 2) [best novelette nominee]
“It Takes Two”, Nicola Griffith (Eclipse Three) [best novelette nominee]
“Spar”, Kij Johnson (Clarkesworld 10/09) [best short story nominee]
On Joanna Russ, Farah Mendlesohn (ed.) (Wesleyan) [best related book nominee]
The Secret Feminist Cabal: A Cultural History of SF Feminisms, Helen Merrick (Aqueduct) [best related book nominee]
Jonathan Strahan [best editor, short form nominee]
Shaun Tan [best pro artist nominee]
StarShipSofa edited by Tony C. Smith [best fanzine nominee]

And the works that have been added to or moved up to the top of my reading list are:
Palimpsest, Catherynne M. Valente (Bantam Spectra) [best novel nominee]
The Windup Girl, Paolo Bacigalupi (Night Shade) [best novel nominee]
The Women of Nell Gwynne’s, Kage Baker (Subterranean) [best novella nominee]
Soulless by Gail Carriger [The John W. Campbell Award for Best New Writer nominee]
Rosemary and Rue by Seanan McGuire [The John W. Campbell Award for Best New Writer nominee]

Ah yes, somehow it all comes down to more books for Tansy to read… funny, that.

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In honour of it being awards season, Twelfth Planet Press is offering free e-copies of Horn, A Book of Endings and SIREN BEAT through the month of February.

If you’re eligible to nominate in the Hugos or the Ditmars, obviously we’d love it if you thought any of the above works were worthy of your nomination. (not sure when the Ditmars are opening for nominations but it’s sure to happen eventually)

Even better, if you enjoy reading your free e-copies, consider buying a hard copy of your favourite Twelfth Planet Press book. Indie press appreciates your support!

Paul Haines is offering his acclaimed novella Wives in free electronic copy for anyone who asks. This is an awesome, epic piece of Australian horror/post-apocalyptic science fiction from last year, and if you’d like to see some Australian content on the Hugo ballot, this would be a marvellous one to support.

Wives isn’t just a great piece of fiction, it’s an important piece of fiction.

Here is what I said about it in Last Short Story last year:

For me, the brilliance of Paul Haines is that he writes stories I hate, about people I hate (and I don’t mean mild revulsion, I mean actual HATE), and yet I can’t pull my eyes away. “Wives” is his best work to date, an utterly hideous vision of the near future, exploring issues that are already very relevant to many people – the lack of women sticking around in country Australia, the sociological effect of preferring male children to female and, oh yes, the ingrained misogyny that hovers just out of sight in our culture. Haines exposes the ugliest sides of human nature in this epic story of “Bridal Services,” rape and slavery, told through the eyes of a narrator so utterly screwed up by his circumstances that it’s hard to blame him for the despicable, thoughtless way that he speaks, lives and acts. This is post-apocalyptic fiction at its best and worse, because there is no apocalypse. There’s just us.

(in discussion with my fellow LSSers about “Wives,” I said “I don’t know whether I want to nominate it for the Tiptree or BURN IT TO THE GROUND.” Yeah, that. Just that.)

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Some links on feminist issues, sexism & gender awareness.

Sarah Rees Brennan is writing awesomeness about women in fiction again, debunking all the dumb excuses people give for being more critical of female characters than male (features the big spoiler for The Demon’s Lexicon):

There are also issues with writing people with disabilities, people of colour, people who are gay. There are even issues with writing straight white guys, because they too live in a world where inequality exists, and this affects them too! All these issues! That’s why it is impossible to ever write any characters at all. And so all my writing goes like this ‘the void… BLANK PAGES … the void… BLANK PAGES.’ It’s very deep.

Cheryl Morgan talks about how to get women nominating for and appearing on the Hugo shortlists, and looks a bit at the psychology that means women usually don’t get fairly represented. In particular she suggests that women are more likely to disqualify themselves from being well-read enough to venture an opinion.

 coffeeandink on male privilege & perception of merit in comics – a beautiful illustration of the ways in which some men can unconsciously discount the work of women, particularly in geek-friendly arenas. This might be one to bookmark and point people to as a great example of invisible sexism at work.

A round-table discussion on how to define and redefine ‘strong’ when it comes to YA heroines.

Moving away from speculative fiction and geekery circles, here’s an interview with Natasha Walter about the return of sexism and the pressure on young girls who don’t feel they have a choice to opt out of porn culture.

 girliejones has posted about the Hugo eligibility of all the Twelfth Planet Press stories published in 2009. This includes my:

“Siren Beat” (novelette)
“Prosperine When it Sizzles,” New Ceres Nights (short story)
“Like Us,” Shiny (short story)

And that, because I’ve been a one-publisher woman for short fiction for the last couple of years (aka lazy) completely covers me as far as Hugo eligibility goes.

It would be awesome to see some Australian names on the Hugo ballot this year since there are a lot more of us eligible to nominate than most years – which should at least in theory mean that more people who read Aussie fiction are eligible to nominate! I’m ridiculously excited about getting to nominate, and keep going back as I think of new good ones to put in there.

My favourite Australian-written spec fic stories of the year were:

Paul Haines, “Wives,” x6 (novella)
Margo Lanagan, “Ferryman,” Firebirds Soaring (short story)
Peter M. Ball, “On the Destruction of Copenhagen by the War Machines of the Merfolk,” Strange Horizons (short story)

and I also really liked:

Peter M. Ball, Horn, Twelfth Planet Press (novella)
Deborah Biancotti “This Time, Longing,” A Book of Endings (short story)
Thoraiya Dyer, “The Widow’s Seven Candles,” New Ceres Nights (novelette)
Dirk Flinthart, “Debutante,” New Ceres Nights (short story)
Trent Jamieson, “Iron Temple,” x6 (novella)
Margo Lanagan, “Sea-Hearts,” x6 (novella)
Cat Sparks, “Seventeen,” Masques (short story I think?)

Peter M Ball is also eligible for the John W. Campbell Award

You can see my whole list of great short stories published worldwide in 2009 over at Last Short Story, and the combined recommended reading list of all the Last Short Story readers here. If you have some reading to catch up with before you nominate, you might get some good ideas of where to start over at those lists.

What favourite stories of the year, Australian or otherwise, would you like to see on the Hugo ballot?