The Hugo shortlist nominees went up on Twitter this morning, Australian time – luckily I had been woken up early by my adorable/dreadful children, so I was around to read them as they came in.

I haven’t been as excited about a Hugo shortlist in years – not just because I got to nominate and will get to vote in these particular ones, but because it does look as if there has been a bit of a demographic shift this year. There are lots of women, new writers and online publications represented across most of the categories. Many things I really liked and indeed nominated got up, which is rather nice.

Congratulations to all the nominees! Hope to see as many of you as possible at Aussiecon this September.

The shortlisted items/people I am most excited about are:
Boneshaker, Cherie Priest (Tor) [best novel nominee]
“Act One”, Nancy Kress (Asimov’s 3/09) [best novella nominee]
“Eros, Philia, Agape”, Rachel Swirsky (Tor.com 3/09) [best novelette nominee]
“The Island”, Peter Watts (The New Space Opera 2) [best novelette nominee]
“It Takes Two”, Nicola Griffith (Eclipse Three) [best novelette nominee]
“Spar”, Kij Johnson (Clarkesworld 10/09) [best short story nominee]
On Joanna Russ, Farah Mendlesohn (ed.) (Wesleyan) [best related book nominee]
The Secret Feminist Cabal: A Cultural History of SF Feminisms, Helen Merrick (Aqueduct) [best related book nominee]
Jonathan Strahan [best editor, short form nominee]
Shaun Tan [best pro artist nominee]
StarShipSofa edited by Tony C. Smith [best fanzine nominee]

And the works that have been added to or moved up to the top of my reading list are:
Palimpsest, Catherynne M. Valente (Bantam Spectra) [best novel nominee]
The Windup Girl, Paolo Bacigalupi (Night Shade) [best novel nominee]
The Women of Nell Gwynne’s, Kage Baker (Subterranean) [best novella nominee]
Soulless by Gail Carriger [The John W. Campbell Award for Best New Writer nominee]
Rosemary and Rue by Seanan McGuire [The John W. Campbell Award for Best New Writer nominee]

Ah yes, somehow it all comes down to more books for Tansy to read… funny, that.

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After yesterday, I’ve been thinking about how many fantasy novels are truly standalone. Girlie Jones declared on Twitter that she doesn’t read fantasy because she’s not interested in waiting for volumes to be written. It’s a fair cop – if the concept of a journey through an elaborate magical world doesn’t grab you from the outset, it’s hard to find a half-decent gateway drug to introduce you to the genre.

Fantasy certainly lends itself to extended series, either of the to-be-continued type or the ‘many standalone novels set in the same world/based around the same character’ type. One of the pleasures of fantasy is the exploration of a world and the ongoing consequences of changes to that world – but that isn’t all that fantasy has to offer and sometimes there is a deep pleasure in a short burst of magical fiction. It’s also a great way to lure a new reader into the genre. I suspect that his many and varied standalone novels are a big part of why Neil Gaiman, for example, has such a broad fanbase.

Standalone novels are, if you are not Neil Gaiman, mostly a luxury for fantasy writers. They turn up at the very beginning of their careers, in many cases, or sidle in from time to time. The accepted wisdom is that standalones simply don’t sell as well as trilogies or series books, even when by the same author.

I wanted to assemble a list of fantasy books I love that are not only standalone, but continue to be so – they don’t share their world or characters with other books. There are no sequels, sideways or direct. @crankynick pointed out on Twitter that I had set myself a hard task because “it’s a rare writer that doesn’t go back to the well if a book takes off.” This is a cynical but let’s face it, not untrue view of how the publishing world works.

By only including pure solo standalone novels in my list, that means I am excluding many great fantasy novels which share a world or character with one or some other of their author’s works, even though they stand perfectly well on their own: such novels as The Hobbit, Valiant, The Curse of Chalion, Anansi Boys. Even Jonathan Strange & Mr Norrell can be excluded on these grounds, I think, as The Ladies of Grace Adieu is very much a sequel and companion volume, while not actually a novel. Thanks to Tehani and Nicole I also learned that Threshold, Sara Douglass’ lovely novel of maths, magic and glassworking is now linked to some of her other novels and no longer counts as a standalone in that pure sense. Damn it! There goes another of my best examples.

So: THE LIST (my top 10 super-solo-unsequelled-standalone fantasy novels) presented below…

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So after my thwarted attempt to have a no buying books for myself month in December (I swear, feminist tomes kept hurling themselves at my head, it was a moral imperative to take them home) and because my bank balance is looking somewhat sickly, I decided that I was going to refrain from buying books for the months of February AND March.

This is a very big deal.

What this means is nothing that gives me the ‘hit’ that comes from purchasing a book – which includes clicking pre-order buttons. So far what I have learned from the exercise is that yes, I am an addict.

I thought I would track the experiment (and keep myself from clicking ‘buy’ buttons) by keeping track of all the books I had more than a fleeting impulse to buy – ones that I definitely wanted for at least three moments. I should add that it is unlikely I would have bought all the books on the list without the pledge holding me back – at least, I really hope not.

So far I’m ten days in and I have 17 books on the list.

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