John Scalzi has made a thread available for writers, artists, fans and professionals to declare their various Hugo-eligible work of the year. It’s a great resource for those who want to be reminded of the good stuff they read last year, or (like me) want to read a bit more widely before the nominations close.
Amal El Mohtar has written a great piece “Of Awards, Eligibility Lists and Unbearable Smugness” about why it’s important to declare your eligible works without embarrassment, and how trying to shame people out of doing so makes you part of the (lack of diversity) problem, not the solution.
It’s that time of year – Labyrinth Nostalgia! Because yes, it remains one of the best fantasy movies for girls. Some great analysis here.
The funny and charming team from The Wife in Space now brings you The Wife and Blake, in which Sue finally discovers the true story behind the names of the family’s cats over the years. Great stuff and makes me want to marathon the show again.
It was years before I rewatched Labyrinth after seeing it in the cinema, but I had a graphic novel version of it which I pored over repeatedly.
I also had the soundtrack. This was probably the first soundtrack to a movie that I ever owned, until Beauty and the Beast came along many years later. I listened to it over and over, despite the fact that much of the music is quite chillingly surrealist. I still think it’s one of the best all time movie soundtracks, completely cohesive. It’s also I think the only movie soundtrack I have ever bought in more than one format.
Okay, apart from Beauty and the Beast. But I really do need to get hold of Little Shop of Horrors on something other than audio cassette…
The first outfit I bought for my daughter (the only outfit I bought before she was born) was a red striped suit, like Toby wore in the movie. I did not actually want her to be stolen by the goblins, but it was a really cute outfit.
I cannot hear any criticism of Labyrinth. Even the cheesy bits are awesome. It is a truly magical piece of work, from beginning to end. Performances, design, script, everything. Except the 30 seconds at the beginning with the stepmother, who cannot act.
One of the greatest joys of my life is that my daughter loves this movie. Another joy is that my younger daughter is yet to experience it. We have that to look forward to! For all the marvellous special effects they can conjure up these days, no one has yet produced a fantasy movie to match Labyrinth for design, character, story, concept, music design and heart.
So thank you Jim Henson, Brian Froud, Wendy Froud, Jennifer Connelly, David Bowie, and everyone else who made this movie. I loved it before it was a cult classic. But it makes me extra happy that it has aged so well, and that it’s still so watchable today.