Gender, Ambivalence & the Women of Westeros
Thursday, May 23rd, 2013
So, I have finally come to the end of my several-month-long quest that is the five books of the unfinished A Song of Ice and Fire saga, AKA A Game of Thrones The Books.
I’m not feeling the entitled outrage that GRRM hasn’t finished writing them yet, but I’m sure it’s gonna kick in any day now.
I’m still digesting it all, but wanted to start processing some of my thoughts about this series, its incredible popularity and acclaim (even before the TV series started, but way more now) and its role at the centre of so many discussions about what’s right and wrong with the fantasy genre when it comes to the representation of women, gender issues, and sexuality.
What intrigued me most, to tell you the truth, is that whenever the big discussion about female characters in epic fantasy fiction starts up again, ASOIAF (Game of Thrones is SUCH a better series title, just saying) is frequently cited on both sides of the argument – that is, as an example of a male writer writing a variety of female characters in a rich, nuanced and substantial way, AND a male author writing female characters in an extremely problematic way.
Looking at the books from the other side, I have to say – well, yep. Both those things are true.
So far this year I’ve been pretty slack on the 





