I was linked by @preciousthings on Twitter to this great article which introduced me to comicbookGRRRL.  Here, she blogs about the criticism that female bloggers receive when tackling issues to do with women on any geeky subject, and why blogging about comics is important to her.  From there I also found her massive “Women in New 52” review which I enjoyed because she had some refreshingly different opinions on some of the comics than I’ve read elsewhere. In particular, her discussion of the bits she liked about the new Catwoman comic (such as the way the expression of Selena’s personality through action, and especially her friend/fence Lola) and her later comparison between how sexuality is portrayed in Catwoman vs. how it is portrayed with Starfire in Red Hood and the Outlaws.  She also loved some comics I hated, was indifferent to some I really liked, and so on. Good stuff!

Which reminded me that I have forgotten to update reviews on the other #2s I have read in the last two weeks.  Ooops!

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After not quite prioritising my reading enough all year, I’m suddenly in a frame of mind where I am trying to read ALL THE BOOKS at once. Which, for those of you who have some idea of the size and scale of my To Read Shelf, is a lot of books.

And more besides, because the current graphic novel fetish has taken hold and I have been binge-ordering at my local library, as well as borrowing and buying a bunch of titles. Then there’s the fact that this is Get It Read month For Last Short Story, and there’s Tiptree reading, and stuff for Galactic Suburbia, and books to review for ASif and you know, other books I want to read!

I walked into a bookshop today to look for someone (who wasn’t working that day) and walked out with Marianne de Pierres’ Angel Arias, and the new Merridy Eastman. Honestly I want to just download them directly into my head.

I’m halfway through reading Trent Jamieson’s Roil, and a Catwoman trade, and Gwyneth Jones’ new collection, because one book at a time is just not enough.

Oh, and I recently posted reviews at Last Short Story of Eclipse 4, and Subterranean’s Spring and Fall Issues.

And over at Deborah Biancotti’s blog, I contribute to a great series of (super short) guest posts about creative burnout, how to avoid it, and how to deal with it when it hits you smack in the face. I recommend checking out the whole series!

So it’s the second month of the DC Reboot, and I’m still reading comics. Not quite so many, though!

I’m still reading Justice League International hopefully. I like the art, and there’s potential here, but it feels like the writer is pulling his punches. There are quips aplenty, but not enough character stuff, and in particular neither Fire nor Ice are being given enough to do, still. Vixen is also criminally under used, and after hearing much discussion about how Batwing is set in ‘Africa’ as if that was a country, not a continent, it felt very jarring to have Mari refer to ‘my native Africa’ as if she was not aware of any more specific geographic borders.

On the whole, it has to be said, most of the international elements of this comic are being handled in a very clumsy, steretypical ‘duhhh this is what Americans think the world looks like’ kind of way – so our Russian and Chinese superheroes get to snark at each other like they’re fans of rival football teams, Godiva gets to say those British swear words that Joss Whedon loved so much (it’s funnier if you pretend she has Dick Van Dyke’s accent and indeed dresses up as a chimney sweep on her days off) and so on. Of course, this was always the case with JLI and JLE (do we remember the Beefeater, whose alter ego was John Cleese? Do we remember France???) but at least they made it funny by recognising the silliness, and it helped that they had Wally West there, always willing to send himself up as the worst example of a loud-mouthed tourist.

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I am taking part in an event at 2pm on Sunday afternoon at the Reading Room, a fabulous exhibit at the Tasmanian Museum and Art Gallery.

A bunch of local writers will each be reading very short (a couple of minute) excerpts from their books.

I’ve been wanting to attend this exhibit since I first heard about it, and this is pretty much my last chance as it is ending on the 16th October.

Oh, and I’ll be reading the bit from Power & Majesty where the naked men fall out of the sky.

THE READING ROOM is an immersive, interactive environment about the magic world of books and reading. The gallery walls are painted red and are lined with thousands and thousands of books. There are comfy chairs and couches so you can sit back and listen to over 60 people from all walks of life in Tasmania reading a passage from one of their favourite books, or you can pick up a book and start reading yourself! There is also an ancient, Hermetic phrase on the walls of the gallery, hovering above the books. It is spelled out with convex mirrors and says ‘AS IT IS BELOW, SO IT IS ABOVE’.

So the overall result of the DC New 52 Reboot is… yes, I’m getting back into comics. Damn it!

I read 21 of the 52, not quite half, and the hit rate was about 50% enjoyable. So yay?

Ah but the question is, which of them will I be sticking with past issue 2? Tune in and find out!

Comics that made me happy this month:
Batwoman
Batgirl
Blue Beetle
Superboy
Wonder Woman

Comics I thought were quite good and/or promising:
Catwoman
Hawk and Dove
Justice League Dark
Justice League International
Static Shock
Stormwatch

Comics that made me go meh:
Action Comics
The Flash
Justice League
Nightwing
Supergirl
Teen Titans

Comics I didn’t like due to my own (possibly unreasonable) personal hang ups:
Birds of Prey

Comics that made me SAD this month:
Detective Comics
Legion Lost
Red Hood and the Outlaws

And a bonus, comics that were awesome and in no way part of the DC Reboot:

Ultimate Spiderman #1 & #2

Thank you and goodnight!

This one’s for Jonathan, Gary & Mondy, who have been speculating a lot lately about what are the best books published in 2011 so far, that they should be paying attention to.

These are mine. It’s entirely personal, of course, and based what I’ve actually read (as opposed to the towering To Read pile that will one day cause me major injury) but given that I haven’t done nearly enough this year of reviewing the books I love, I think it’s worth doing.

ADULT FICTION

Jo Walton
Among Others

A wonderful, wonderful book about the reading habits of young girls, with subtle magic and a fabulous theme of iconic SF books. At some point I hope I will write that essay I want to, about my lifelong relationship with Pamela Dean’s Tam Lin and how that book trained me to get the most out of this one despite the fact that I’ve never read Delaney, Zelazny or more than two novels by Heinlein.

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Once again I find myself tackling the second half of my week’s comic haul with far less enthusiasm than the first half. Because, obviously, I read the ones I thought I would like first. This is a plan with drawbacks!

Mind you, if I’d read Red Hood and the Outlaws first I might have given up on comics altogether. Seriously. It’s that bad.

NIGHTWING
written by: Kyle Higgins
pencils by: Eddy Barrows

Nightwing first, which was… well, meh. Inoffensive and vaguely informative in that it tells us all the important things about Dick Grayson and where he is in his personal timeline. Plus the circus is back in town so we get a replay on that backstory too, for people who are completely new.

I really liked the idea that he didn’t like the circus being in Gotham City because the city finds a way to use everything he loves against him. I liked that Batman (for once) didn’t make an appearance, because frankly, he’s being way overused in the New 52. I liked the crack about how being a circus clown in Gotham was no fun at all. Dick himself isn’t too annoying, though I did find his judgemental inner thoughts about Bruce and his rich man privilege kind of annoying. Because, come on. Loft apartment does not give you indie cred.

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Blue Beetle #1
Written by: Tony Bedard
Pencils: Ig Guara

A very likeable re-introduction to Jaime Reyes, the modern Hispanic teenage Blue Beetle. I avoided him for a long time because of my grief and resentment about the death of Ted Kord (NOT SAYING I’M OVER IT) but thanks to Batman: Brave and the Bold I accidentally got introduced to Jaime and I like that his Blue Beetle is completely different to *mine* and that the version I saw in the cartoon was so respectful of the past.

It feels a bit odd having the origin story retold again so soon after Jaime’s Blue Beetle was introduced to the DC Universe, but given that I’ve never read his title before, I’m not complaining – this is a great comic, and we’ve been lacking in nice simple origin stories in the New 52. Not much Blue Beetle as such, but we get a lot of Jaime’s family and school life, and the culture he belongs to. I really like the way that we are getting common phrases of Spanish (is this the same as Hispanic? Help!) thrown into the dialogue so we can learn them, because it constantly reminds me that the story is not for the most part taking place in an Anglo US setting, and it’s great to see a comic marketed at teens which isn’t treating them like idiots. Is it wrong that I kept getting Veronica Mars vibes whenever the cool gang leader friend turned up? That’s probably a wrong thing. Though if that means Jaime gets to be Veronica, that’s pretty cool.

Also, having recently rewatched the Rise of the Blue Beetle and Fall of the Blue Beetle episodes of B:B&B with Raeli, in which Jaime questions whether he deserves to be a hero, having come into his powers by accident (and arguing with his mate about whether Hal Jordan’s origin story meant he was deserving or just plain lucky), it’s cool to see that the circumstances by which he acquires his magical scarab (cue Ted Kord from the grave complaining that no one ever gave him a magical scarab, in his day you had to build your own) are pretty heroic: sure, he lucks out, but he’s in that place because he did something stupidly brave.

Verdict: good stuff, I’m sticking around. And not just in the hopes of a dead Ted cameo. Not even. Maybe a little bit.

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Kathryn’s and I have taken the challenge to read every book written by Agatha Christie, in order of publication and we’re blogging as we go along. We’re calling it the Agathon! You can find Kathryn’s post over here: If you’d like to read the conversation going on in the comments. As a warning, there may be spoilers, though they will be signposted.

5 – Poirot Investigates (1924)
Short Stories (Featuring: Poirot and Hastings, Inspector Japp makes an appearance)

KATHRYN SAYS:
So Poirot Investigates is the first short story collection that we’ve read as part of the Agathon, and I have to say I’m felling fairly meh about it. If anything these shorts remind me of flash fiction – they’re all gimmick but no have real character development (perhaps we should call it Flash!Christie!) and this leaves us with a set of very varied mysteries, in which Hastings is always wrong, Poriot acts a little silly but is superciliously right in the end. Of course. Granted, this just might be how Poirot and Hasting interact forever more (I guess we shall see!), but at least in a novel it only happens once, rather than the 11 times it occurs in this collection. I think another issue is that in a novel, the suspects often play a very central part in the story, with their own character development and plot. This is really missing in these shorts – there is very few secondary characters at all, and I think none that rate more than a cursory look, be they villain or victim.

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Superboy #1
Written by: Scott Lobdell
Pencils by: RB Silva

This one was a genuinely pleasant surprise – I picked it up mostly thanks to Wolverina’s recent nostalgia fest on the How I Got My Boyfriend Into Comics podcast, because I haven’t read Superboy since his original 90′s reboot run. After a series of dull, by the numbers comics from DC this month I was delighted to find a dynamic story with a narrative that genuinely feels modern and fresh, despite starting the character from his origin point.

Who knew? It can be done!

Superboy himself is an intriguing central character considering that he doesn’t actually do anything much beyond hang around in his cloning vat for this issue. His voice comes through clearly, though, sardonic and quietly angry, observing the scientists who are making decisions about him, not for him. We also get some cool female characters – ‘Red,’ the scientist in charge of Superboy’s care, two versions of ‘Rose,’ the sarcastic indie teen girl designed to interest him, as well as the adult she is based on, and even in a few tantalising panels, a very sharp Lois Lane.

There are clever moments throughout the script which kept me very interested, particularly the implications that there is something very wrong with this Superboy when it comes to empathy (and I’m hoping that what is implied about his human donor is true). What’s the point of a superhero who doesn’t see the point of saving people? I guess we’ll find out!

Superboy #1 is shaping up to be a smart piece of YA SF with appropriate but not overwhelming angsty bits, and I’m genuinely excited about where it’s going. Hooray! Of course this does mean I’m going to have to pick up Teen Titans, too, but that was probably inevitable.

VERDICT: finally, a comic that doesn’t insult my intelligence, and knows how to make set up interesting. I’m on board!

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