The Coode Street podcast invite on special guest Ursula Le Guin to discuss the good, the bad and the “oh no she didn’t” contained within the pages of Margaret Atwood’s recent collection of essays about science fiction In Other Worlds: SF and the Human Imagination (2011). It’s especially interesting because Le Guin not only considers herself a friend of Atwood, but is often a subject in the essays themselves – but she pulls no punches when it comes to casting a critical eye over the book – and, with equal sharpness, the fans who have contributed to Atwood’s often misguided image of what SF readers are like. If there was a literary canon of SF-themed podcasts, this one would have to be pretty high on the list.

I also very much enjoyed the latest, 12th episode of The Outer Alliance podcast – these have been going from strength to strength with some wonderful interviews (and I’m not just saying that because they namecheck Galactic Suburbia!) and the latest one has host Julia Rios discussing all manner of gleeful and squeeful things with Lynne M Thomas – Hugo-award winning co-editor of Chicks Dig Time Lords, co-editor also of Whedonistas and the upcoming Chicks Dig Comics, incoming editor of Apex Magazine, podcaster of the SF Squeecast, archivist extraordinaire, etc. Oh yes, and she’s my fellow Tiptree juror this year too! Getting a chance to eavesdrop on the conversation between these two bouncy, enthusiastic and smart women was a great pleasure today, and they cover all kinds of issues, from behind the scenes podcasting gossip to third wave feminism, and how talking about shoes can be a subversive act.

I checked on a new discovery, the Anomaly podcast this week, with mixed results. I had been linked to their special two part Women of Sci-Fi, Fantasy and Fandom episode, and found that inspiring and illuminating in some places, and deeply irritating in others. I liked that it was a group of women discussing their interests in SF, fandom, etc. and tackling questions like who writes strong female authors best, and whether ‘slave Leia’ costumes are problematic or empowering.

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In recentish times I’ve talked about my top 10 standalone fantasy novels, why series novels should not pretend to be standalone fantasy novels, and the kind of standalone fantasy novel that’s really a stealthy series.

There’s one kind of fantasy novel I haven’t discussed in any depth, and it’s the fantasy format which is most iconic as well as the most vilified. It also, apparently, sells better than any other fantasy format.

I’m talking about the trilogy.

The trilogy gets a bad rap, mostly from people who don’t read fantasy novels. It’s the equivalent of Fabio book covers – the feature of the genre most fixated on by outsiders. In truth, fantasy trilogies are popular for many good reasons. They are long enough that you can tell a really epic story and build up a thoroughly detailed world, but not so long that people start worrying about the author’s life expectancy.

According to publishing legend, the format came about when the hardback of a moderately successful novel by some chap called Tolkien proved too long to publish in a single paperback edition. It was broken up into three paperbacks, and promptly became a zeitgeist-making, record-smashing, hugely popular book of a generation, and then another generation, inspiring publishers to actively hunt “something a bit like it”. While many of the immediate successors to Tolkien did not in fact write trilogies, ultimately the popularity of this format is laid at his door.

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Episode 3 is available for download/live play here, or subscribe to us through iTunes. I’m posting the show notes here as well as some versions of Firefox struggle to load them on the GS page…

Galactic Suburbia Episode 3 – 2 April

News:

Alisa’s live report from Swancon!

Tiptree winners & Honours List including Wives Wives Wives

Arthur C Clarke shortlist

Hugos – largest number of votes ever received. Shortlist out Easter Sunday, UK time:

Launch of new Asif website

Stephenie Meyer to release a novella for free to fans online followed by the hard copy version from June 5.

Shaun Tan’s Eric

k9 to screen on Australian tv tomorrow on Channel 10! [heh this is officially old news now]

Garth Nix and Sean Williams, teaming up with Troubletwisters

What have we been reading?

Tansy - Lifelode, by Jo Walton & Chicks Dig Time Lords

Alisa – The Women Men Don’t See/ What I Didn’t see and commentary, Alice Sheldon’s Biography

Alex – Lord of the Rings, also “To Write like a Woman,” collected essays by Joanna Russ.

Pet Subject: Media Tie-Ins

Kristine Kathryn Rusch, talking about Star Wars – initially in Star Wars on Trial, a BenBella collection

See also http://theswivet.blogspot.com/2010/03/guest-blogger-ari-marmell-on-writing.html

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If you have any feedback or comments for us, please email galacticsuburbia@gmail.com

2 April 2010

Raeli watched part of Willy Wonka and the Chocolate Factory (Gene Wilder, not Johnny Depp) courtesy of my Dad the other day, and has managed to get herself well and truly traumatised about the fate of Violet Beauregarde (SPOILER, she turns into a giant blueberry). Nightmares and all. As with the similarly traumatic puppet show incident we now refer to as The Tiddilik Disaster (frog drinks all the water in the world), she has been dealing with her fear by asking me to tell her the story that scared her, over and over again (only leaving out the scary parts).

It’s surprisingly sophisticated, the way she chooses to face her fears like that. I’ve seen her do this with movies, too, being worried or scared by something adult in them, but coming back the next day and asking to see it again. She was terrified by Spirited Away the first time (and I don’ t blame her) but now it’s one of her favourite movies.

So yes, many spare moments & chores over the last several days have been enlivened by me having to recite from memory the plot of Charlie and the Chocolate Factory. Good thing it wasn’t the Twits or something, at least I remember a lot of this one! At one point I explained to Raeli about how that episode of Futurama she’s seen approximately a gazillion times, when Fry and the others visit the Slurm Factory, is actually a pastiche of the Willy Wonka movie. I pointed out the similarity in the river scene, the Oompa-Loompas, and Wonka’s costume. She nodded in a vaguely patronising “yes I see this is interesting to you, Mummy” way, and I dropped the subject.

But I remember the first time she saw that episode of Futurama, I thought “Oh here we go, seeing the pastiche before the source material…” Because that pretty much sums up my childhood.

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